Nov 22 2010

One Lizard & a Fencepost

Melissa Crytzer Fry

Since a lot of U.S. blogs this week are going to focus on giving thanks, I’m going to live on the wild side and talk about fence posts and lizards, instead. (Don’t get me wrong … I am thankful!)

But nothing quite says desert southwest like a spiny lizard stuck to the post of a horse corral, does it?

I had a friend who was so terrified of lizards that, if she saw one in her house, she’d suck it up in her vacuum. As you can imagine, my lizard-loving persona found this appalling – and perhaps even more so now that I’ve learned more about these valuable reptilian creatures.

I personally enjoy the spiny lizard’s antics; I watch one outside my window every day as he does ‘push ups’ on the railroad tie. When his tummy is full of insects, he lumbers around like a miniature crocodile. And sometimes, he even gets frisky with the ladies (I turn my head and give him his privacy).

When I watch him sunning himself, I consider all the obstacles he faces daily in the brutal desert but see that, despite such adversity, he seems to know how to have a good time. Yes, the lizard has taught me a great deal (and did I mention that lizards are also sentinels, signaling environmental disturbances when their populations decline? They often provide valuable warnings for humans.) Hooray, lizard!

For Writers: I’ve been knee-deep in the writing of my second novel. And from the start, I knew that I wanted setting to play a pivotal role; I essentially wanted it to become one of the characters in my novel.

Obviously the photo above screamed to me, “setting,” especially since my current WIP occurs in the desert southwest.

I realize setting can run the gamut – from the inside of a car and the back porch of grandma’s house to a new galaxy or the rolling hills of Montana. But for the purposes of this article, I’m referring to natural, physical-geographical settings.

So, how do you even start to make this type of setting an actual character in your novel? And how do you avoid overdoing it or making it feel too contrived?

Below are some things I’ve learned along the way:

  • Keep a journal of what you see around you. (I’ve realized that my blog is actually my ‘setting’ journal. I’ve been able to use insights from posts I’ve already written. Note: If it’s not written down, you will forget the details.)
  • Get to know your setting if you don’t already live in it. Research it! Talk to people who live there, visit the locale if you can, or study photos online. Study the local customs, flora, fauna, weather patterns, crop seasons, festivals. Your readers will know if you haven’t done your homework.
  • Personify your setting. There is nothing I love more than a setting that has its own thoughts and human characteristics. The trees can breathe, the hills can see, the sun aches for the close of day, a wind gust can be hostile … Or in an urban setting, a building can sigh, a car can scream. You get the picture.
  • Use seasons as part of setting. A good thunderstorm, blizzard or gale force wind during a painful or harrowing scene can add wondrous amounts of tension. Use the seasons and weather patterns of your setting to your full advantage.
  • Determine how your characters will interact with setting. When setting is a character, it must interact/affect/touch characters in profound ways. For each scene, decide if character interaction with the setting/nature will move the plot forward, place characters in precarious situations, or remove obstacles.
  • Sprinkle, sprinkle. Some longer passages of setting may be warranted, but also try to sprinkle smaller passages throughout so you don’t bog down the reader. Even though you’re trying to achieve setting as character, each chapter doesn’t have to scream ‘setting;’ rather, the book as a whole has to convey this strong sense of place.
  • Look to the classics for “setting as character.” There’s no reason to recreate the wheel. Many writers – legendary and recently published – have mastered the art of setting as character, sprinkling rich details throughout their novels. Some classics and recent examples of works in which setting is character include:
    • Herman Melville’s Moby Dick
    • Charles Dickens’ Oliver Twist
    • Joseph Conrad’s The Secret Agent: A Simple Tale
    • Emily Brontë’s Wuthering Heights
    • Beth Gutcheon’s More than You Know
    • Sue Monk Kidd’s The Mermaid’s Chair
    • CE Morgan’s All the Living

Do you appreciate books in which setting plays a pivotal role? Have you ever used setting as a character? What tips/tricks did you find helpful? What other books – recent or past – can you recall that used this technique?


8 Responses to “One Lizard & a Fencepost”

  • avatar M. McGriff Says:

    I think having the setting as a character is a great way to get a reader to escape into your book! I’ve personally never used the setting as a character but I definitely appreciate it when another writer does! It takes an enormous amount of creativity to pull that off!

    [Reply]

  • avatar Eeleen Lee Says:

    Great informative post! Ahh thats why you were asking on Twitter…!

    Science fiction and fantasy books also have great settings, such as Middle Earth in ‘Lord of the Rings’ and the planet Arrakis in ‘Dune’.

    [Reply]

    avatar

    Melissa Crytzer Fry Reply:

    You found me out! I had a little list going, but your addition helped. Thank you so much. Yes, indeed, sci-fi and fantasy have wonderful settings!

    [Reply]

  • avatar Sharon Bially Says:

    This totally resonates. I’m usually inspired by setting first. The characters come to me as products of the setting, intertwined with it. Maybe you’ve noticed that in VN. And I love using pieces of the setting as objective correlatives for characters’ emotions. After all, don’t we often use them that way in real life, knowingly or not?

    [Reply]

    avatar

    Melissa Crytzer Fry Reply:

    We have much in common, Sharon. I absolutely love novels with vivid, breathing, living settings. Yes, characters ARE products of their setting & are intertwined with it (this is a key theme in my current WIP). You’re so right. Our moods and emotions are often reflections of our setting. No doubt!

    [Reply]

  • avatar Jessica McCann Says:

    Another great post, Melissa. I’ve been toying with this idea a bit for my novel in progress, as well. Thanks for listing some books as examples. I’ve read a few of them. I’ll have to take another look and check out the others. Always looking for a good excuse to re-read a Dickens classic.

    Jessica McCann
    Author of the novel All Different Kinds of Free
    http://www.jessicamccann.com

    [Reply]

  • avatar Rachna Chhabria Says:

    Wonderful post, Melissa. I loved all the setting tips. I have never used setting as a character, but desperately want to do so in a future WIP. That’s why your post was extremely timely and useful for me.

    I have added a link to your current post on my post. Though our posts are on different topics, I wanted to share your setting tips with other writers. 🙂

    Btw….I too freak out at the sign of even the tiniest of lizards.

    [Reply]

  • avatar Jolina Petersheim Says:

    Melissa! I love your pictures and your posts! I believe setting is a HUGE factor in every novel. If we look back through the classics, we will find that every one has a setting that stands out from the rest, causing the characters to stand out, too. Love it. Keep up the good work, girl!

    [Reply]

Leave a Comment